top of page

May 2018

THE FUTURE IS FEMALE

Parts Project: Gallery Toussaintkade 49 The Hague

Yael Davids as part of this group show

May 27 - July 15 (2018)

 

Is an exhibition in which we are taken by the hand through essays written by the artist Twan Janssen to enable us to look at the work of 13 female artists in another way. Looking at Art is also Reading the Artwork and with this very personal view of Twan Janssen in which he is not afraid to use childhood memories, astonishment, daily casual thoughts to also play a role, will give the opportunity to look at the works in a different way. It is a personal guide ...

 

The starting point is the artwork but even more the position of these 13 female artists  whorepresent a unique place and each new work of art is an ever-advancing reflection in their oeuvre with a significant and very personal signature.

 

The exhibition has a beginning and an end. And everything that happens in between is arranged/positioned in such a way, so that (again) a story is told. This text is not written by Twan Janssen, but floats between the lines. The end is marked by a video work of AnneMarie van Splunter; A Day Such As This. The soundtrack is by Bill Withers; the chorus, lovely Day, lovely Day, lovely Day, lovely Day .... And that is also  the beginning again. A beginning for which a flag is planted for women who make art, who are again and again without doubt use their femininity in favour of their artistic career, to create works that you can not ignore. These artists are moving forward and onward. Watching and Reading go hand in hand although for each of them the source is different.

 

May 27 will be a Lovely Day, The Future is Female

 

Text Twan Janssen | Curator Francis Boeske

Please reload

AS SLOWLY AS POSSIBLE

Jeremiah Day as part of this event.

"As Slowly as Possible": A Symposium of the Association for the Study of the Arts of the Present 

24-26 May 2018 
Vrije Universiteit Amsterdam 

The 2018 international Association of the Study of the Arts of the Present symposium will be hosted by the CLUE+ Interfaculty Research Institute for Culture, Cognition, History and Heritage at Vrije Universiteit Amsterdam and dedicated to exploring notions of slowness. 

Contemporary ideas of slowness, as introduced by such movements of the 1980s including Carlo Petrini’s “slow food” and other projects, have gained increasing relevance in our ever-accelerating present. Far from denoting merely a claim to slow down, slowness encourages us to address the complexities of contemporary production and reception processes with a heightened sensibility to multi-layered interrelations from the economic to the ecological. The relational nature of speed can serve as a fruitful metaphor for the complex interrelations of spatial/geographical and temporal/historical orders, as well as aesthetic and political discourses. Its relationality encourages us to question other binary notions of hot versus cold media, digital versus analogue, culture versus nature, local versus global, as well as any categorization of the arts according to disciplines, genres, or media. 

Keynotes
We are pleased to announce our symposium keynotes and performances: Prof. Dr. Wolfgang Ernst, Prof. Dr. Mieke Bal, Dr. Maria Fusco, and Dr. Jeremiah Day. For more information on the keynotes/performances, locations, and times, please click here. Please also note that all keynotes/performances are open to the public. To register for these events, please see registration information below.   

Symposium Presentations
We received over 130 abstracts from which we could select less than half for presentation at the symposium. The presentations will deal with a variety of artistic genres, such as literature, the visual arts, video and film, music, poetry, performance and dance, and digital art. Panels will be devoted to topics such as deep time, durational art, slow activism, anthropocene asynchronicities, movement and mobility, slowness ‘at home’ and ‘in the city,’ slow cinema, rhythm and slow motion, slowness as (institutional) critique, slow violence, non-human temporalities, and materialities of slowness. 

Symposium Schedule
Please find the finalized conference schedule here. 

Registration
As this is a symposium of the Association for the Study of the Arts of the Present, you will need to become a member to participate ($65 for Full-time Faculty/Museum Staff; $45 for Graduate Students/Adjunct Faculty/Independents). ASAP membership entitles members to register for meetings of the association, join the listserv, and participate in association prize competitions. Membership also includes a subscription to the ASAP/Journal, published three times annually by Johns Hopkins University Press (an additional fee is required for shipping). Please note that we took these fees into account when establishing the symposium fees, so that they remain affordable.

  • Registration is $100 for Full-time Faculty/Museum Staff and $60 for Graduate Students/Adjunct Faculty/Independents. The optional Symposium Dinner on Friday evening is $60. 

  • Public Events: You may also register for the public events ($15 for Wolfgang Ernst keynote; $15 for Mieke Bal keynote; $15 for Maria Fusco performative lecture and Jeremiah Day performance; $10 for Roundtable discussion, including drink ticket). 

  • Please note that you will be asked to become an ASAP member directly after selecting your options. Should you have any questions, please feel free to contact us.

Pre-Symposium Lecture: "How Will Art Survive Us?" by Tal Beery, 22 May 2018
Facing social and ecological changes that may threaten the very survival of our species, our times require large-scale collective adaptation. The arts, and arts institutions, are crucial here. They hold space for new stories and act as arenas for the rehearsal of new structures and modes of engagement that will be the most effective tools for surviving what we have become. 

Please reload

GradCAM in cooperation with the Robert Emmett Community Development Project presents 'Second Cultures' with Jeremiah Day and Taf Hassam

Jeremiah Day as part of this event.

Noam Chomsky has repeatedly observed that the Western media's post 9/11 coverage functions similarly to Pravda's role in the old Warsaw Pact.  If so, what are the implications for culture and the role of the artist, especially the special way art makes it's own factuality happen?  Could the "educational" and "documentary turn" in the arts be unfolding at the exact same moment journalism and the academy no longer function as diviners of truth?  And, in light of current events, does the history of culture and politics of the "former East" have new meaning for those of us living in light of "fake news"?

This evening will bring together for the first time in Ireland two figures whose work has been in dialogue for almost ten years, between cultural organizing, research, art and public life.  

The American artist Jeremiah Day will take up Hannah Arendt's reflection on the effects of organized lying and put it in combination with Chomsky's provocative comparison as part of an attempt to grasp our contemporary situation.

Taf Hassam's recent efforts have been undertaken in dialogue with the historic practices and strategies of the Czech Underground of the 1970s and 1980s through diverse cultural forms music, organizing events, spaces like "New Conditions" in Amsterdam, and publishing series like "Second Culture." Hassam will present a unique audio-visual set of music, video and text from the Czech scene.

Please join us for this informal gathering in an evening of music, history, performance, politics, and dialogue.

6pm, Wednesday 16th May
Robert Emmet Community Development Project
3-8 Ushers Street, Merchants Quay, Dublin 8

http://www.recdp.ie/
https://www.facebook.com/RobertEmmetCDP/
https://twitter.com/cdp_robertemmet

 

http://www.gradcam.ie>


All welcome

Please reload

bottom of page